17,019 로열티 프리 오디오 트랙들 "Midi Files Of Tone Rows"에 대한

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00:59
Wir lagen vor Madagaskar
著者: Melodie: trad.; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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00:59
Freu dich, Erd und Sternenzelt; Evang. Gesangbuch 47, Gotteslob (1975) Hildesheim 813; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 741
著者: Melodie: böhmisch (Narodil se Kristus Pán), deutsch Leitmeritz 1844; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.
著者: Image: Created by Hyacinth (talk) 03:29, 21 March 2010 using Sibelius 5. Music: Bach
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00:53
Nun ist sie da, die rechte Zeit, Gotteslob (2013) 638
著者: Melodie: bei Louis Pinck (+ 1940) 1928; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:04
Ich glaub an dich, allmächtger Gott; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 795
著者: Melodie: Paderborn 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:03
Sankt Martin ritt durch Schnee und Wind, Gotteslob (2013) 545
著者: Melodie: Rheinland um 1900; Satz und Tondatei: Rabanus Flavus
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01:23
Dein Tag, o Herr, uns hell anbricht, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 714
著者: Melodie: Straßburg 1538; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:18
Maria ging geschwind; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 893
著者: Melodie: Erfurt 1666; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:54
Öffnet euch, ihr Tore, weit; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 783
著者: Melodie: Trier 1846; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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00:56
Am Sonntag, eh die Sonn aufging; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 780
著者: Melodie: Köln 1623; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:25
Hymn tune Lauda Anima (Praise, My Soul, the King of Heaven)
著者: Melody: John Goss (1800-1880); setting & sound file: Rabanus Flavus (Peter Gerloff)
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01:48
Nimm, o Vater, was wir spenden, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 712
著者: Melodie: Herold 1808; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:46
O großer König, Jesu Christ; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 805
著者: Melodie: Osnabrück 1931 (nicht urheberrechtlich geschützt); Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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00:53
Was alle Zeiten sich erhofften, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 848
著者: Melodie: altes französisches Weihnachtslied; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:54
Heilges Kreuz, sei hochverehret (Gotteslob Diözesananhang Österreich 820)
著者: Melodie: 19. Jh.; Satz + Tondatei: Rabanus Flavus (Peter Gerloff)
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01:33
Wort des Vaters, Licht der Heiden; Gotteslob (2013) Hamburg-Hildesheim Osnabrück 804
著者: Melodie: Herold 1808; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:16
Triumph! Der Tod ist überwunden; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 777
著者: Melodie: Franz Wolf 1842; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:26
Heilger Josef, hör uns flehen, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 909
著者: Melodie: Köln 1852; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:41
Lasst uns heilig, heilig singen, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 888
著者: Melodie: Köln 1638; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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00:53
Rock of Ages, tune by Thomas Hastings
著者: Melody: Thomas Hastings (1784-1872); setting & sound file: Rabanus Flavus (Peter Gerloff)
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00:35
Melodie aus Charpentiers Te-Deum-Vorspiel
著者: Melodie: Marc-Antoine Charpentier; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:41
Deinem Heiland, deinem Lehrer, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 880 (Hamburg und Osnabrück)
著者: Melodie: Köln 1638; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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*Hundred-eighty-seventh harmonic on C = F♯↑. Just: 187:128 = 656.27 cents. Limit: 17-limit. MIDI pitch bend: 0,82 on TT
著者: Hyacinth
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9-limit dekany scale.
著者: Created by Hyacinth (talk) 02:44, 21 July 2009 using Sibelius 5.
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*14 steps in 15 equal temperament on C = B↓ (Easley Blackwood's notation). Equal-tempered: 214/15:1 = 1120 cents. MIDI pitch bend: 51,70 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~179,69 on B.
著者: Hyacinth at English Wikipedia
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*13 steps in 16-et on C = A♯ (Easley Blackwood's notation). Equal-tempered: 213/16:1 = 975 cents. MIDI pitch bend: 0,56
著者: Hyacinth
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*Just minor third on C = E♭ (Ben Johnston's notation). 6:5 = 315.64 cents. Limit: 5-limit. MIDI pitch bend: 1,69
著者: Created by Hyacinth (talk) in Sibelius. Midi pitch bend on 69 for 315.625 cents rather than 315.64. New version a m3 on 1,69 for 315.6494140625 cents rather than 315.64.
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*Just diminished third on C = E♭♭- (Ben Johnston's notation). 256:225 = 223.46 cents. Limit: 5-limit. MIDI pitch bend: 65,71
著者: Created by Hyacinth (talk) 06:09, 5 January 2012 (UTC) using Sibelius 5.
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*15 steps in 17 equal temperament on C = A♯ (Easley Blackwood's notation). Equal-tempered: 215/17:1 = 1058.82 cents. MIDI pitch bend: 106,50
著者: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on m7 on ~106,82 for 1058.85 cents.
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*2 steps in 15 equal temperament on C = D↓ (Easley Blackwood's notation). Equal-tempered: 22/15:1 = 160 cents. MIDI pitch bend: 26,51
著者: Created by Hyacinth (talk) 20:18, 16 December 2009 using Sibelius 5 with midi pitch bend on ~154,50 on D.
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*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53
著者: Hyacinth (talk) at English Wikipedia in Sibelius 5 with midi pitch bend on 51,53 for 266.870117 cents rather than 300.
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*13 steps in 15 equal temperament on C = A↑ (Easley Blackwood's notation). Equal-tempered: 213/15:1 = 1040 cents. MIDI pitch bend: 102,108 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Bb.
著者: Hyacinth at English Wikipedia
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*11 steps in 19 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 211/19:1 = 694.74 cents. MIDI pitch bend: 40,62 Created in Sibelius with midi pitch bend on 94 for 693.75 cents rather than 694.76. New version a TT on 40,94 for 694.7265625 cents rather than 694.76.
著者: User:Hyacinth
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*2 steps in 9 equal temperament on C on C = ??. Equal-tempered: 22/9:1 = 266.67 cents. MIDI pitch bend: 42,53
著者: Hyacinth
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*1 steps in 19 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 21/19:1 = 63.16 cents. MIDI pitch bend: 26,84 Created in Sibelius with midi pitch bend on 52 for 62.5 cents rather than 63.16. New version a PU on 26,84 for 63.134765625 cents.
著者: User:Hyacinth
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*19 steps in 21-et on C = B♭↑ (Easley Blackwood's notation). Equal-tempered: 219/21:1 = 1085.71 cents. MIDI pitch bend: 54,59
著者: Hyacinth
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*2 steps in 19 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 22/19:1 = 126.32 cents. MIDI pitch bend: 54,72 Created in Sibelius with midi pitch bend on 72 for 125 cents rather than 126.32. New version a m2 on 53,72 for 126.2939453125 cents rather than 126.32.
著者: User:Hyacinth
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*11 steps in 15 equal temperament on C = A↓ (Easley Blackwood's notation). Equal-tempered: 211/15:1 = 880 cents. MIDI pitch bend: 77,57 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~77,57 on A.
著者: Hyacinth at English Wikipedia
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*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit.
著者: Created by Hyacinth (talk) 23:34, 13 December 2009 in Sibelius with quarter tone playback, midi pitch bend on 53 for 1465.625 cents rather than 1466.87. New version created in Sibelius with midi pitch bend on 51,85 for 1466.8701171875 cents rather than 1466.87 cents.
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*Undecimal major third on C = F↓+ (Ben Johnston's notation). 14:11 = 417.51 cents. Limit: 11-limit.
著者: Created by Hyacinth (talk) in Sibelius. Midi pitch bend on 70 for 418.75 cents rather than 417.51. New version a M3 on 77,69 for 417.5048828125 rather than 417.51.
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*1 step in 15 equal temperament on C = C↑ (Easley Blackwood's notation). Equal-tempered: 21/15:1 = 80 cents. MIDI pitch bend: 76,57
著者: Hyacinth at English Wikipedia
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*15 steps in 16-et on C = B (Easley Blackwood's notation). Equal-tempered: 215/16:1 = 1125 cents. MIDI pitch bend: 0,72
著者: Hyacinth
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*19-limit seventh tone on C = C (Ben Johnston's notation). Just: 57/56 = 30.64 cents. Limit: 19-limit. MIDI pitch bend: 103,73
著者: Hyacinth
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*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.
著者: Hyacinth at English Wikipedia
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*11 steps in 16-et on C = G♯ (Easley Blackwood's notation). Equal-tempered: 211/16:1 = 825 cents. MIDI pitch bend: 76,57
著者: Hyacinth
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*10 steps in 19 equal temperament on C = G♭ (Easley Blackwood's notation). Equal-tempered: 210/19:1 = 631.58 cents. MIDI pitch bend: 13,74 Created in Sibelius with midi pitch bend on 74 for 631.25 cents rather than 631.6. New version a TT on 13,74 for 631.5673828125 cents rather than 631.6.
著者: User:Hyacinth
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01:31
Komm herab, o Heilger Geist (Osnabrücker Melodie); Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 786
著者: Melodie: traditionell (Osnabrück); Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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00:42
Kiswahili: Njoo kwetu, Roho Mwema Gracious Spirit, heed our pleading Komm zu uns, Heilger Geist, Evang. Gesangbuch Bayern-Thüringen 565
著者: Melody: Haya melody from Tanzania; setting & sound file: Rabanus Flavus (Peter Gerloff)
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01:21
Heilger Geist, o Tröster mein; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 785
著者: Melodie: Münster 1866; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:14
Es ist ein Ros entsprungen, Gotteslob (2013) 243; Gotteslob (1975) 132; Evang. Gesangbuch 30
著者: Melodie: Köln 1599; Satz 1: Michael Prätorius 1609; Satz 2 und Tondatei: Rabanus Flavus (Peter Gerloff)
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